Sunday, November 29, 2009
Tish Talks About How She Makes Everyone 'GAW'geous
Here's the complete interview here with Tish Monaghan:
ENTERTAINMENT WEEKLY: Anyone who’s listened to the Twilight DVD
commentary knows that Robert Pattinson wasn’t a fan of Edward’s pea coat.
TISH MONAGHAN: He wasn’t a fan of the pea coat. He wore it in virtually every scene, and I think maybe he just got tired of it. I’m guessing. [Laughs] He just wanted a more mature look. That was part
of Edward’s Grade 11 year, and now he’s getting into his graduation year, he’s in a relationship. He had worn hoodies and jeans and sneakers, and Robert, the director [Chris Weitz], and I all wanted to portray him more as a gentleman, more elegant and classic. With our vampire characters, I always went back to the time period in which they were turned to see if there’s any element I could try to simulate in contemporary clothing. He came out of the Edwardian period, around 1910. Of course, most of the gentleman from that time would be wearing suits, coats, hats, etc. We had to pick something that was iconic for the character that would suffice to be used throughout the whole film. At the very
beginning of the film, he has one school outfit, and then there’s Bella’s birthday party and disaster strikes. So Edward ends up in that same costume for the remainder of the film. I was thinking of just putting him in a dress shirt and a pair of pants, but Robert wanted to be
in a suit. So I found a modern contemporary look that would be appealing to him and to the massive fan base, a very slim cut, and a fabric that to me was a bit Old World — this beautiful tweed fabric that we got out of England. It had the gray base, which is kind of essential for the Cullen characters in their cool tones, but also had little interesting flecks of blue, which is also Cullen, and a tiny little bit of rust, which I liked because Bella wears earth tones and that kinda linked her into the picture. The general texture of the suit would hold up well no matter what setting he was in: Inside the house for the party, or in the forest, or in the Volturi chamber. We had to show wear on the suit, and it’s much easier to rough up something that has texture to it than just a flat piece of wool. His pants are worn at the knees, they’re rumpled.
I don’t know if anyone’s looking at his pants when he removes
his shirt in Italy.
The fans were very excited to see that, I don’t know if Robert was particularly excited to perform that in front of 1,500 people. I think it was quite hard for him to do. We originally tested Edward in a plain white shirt, as a forlorn-looking option. That is also what Robert wanted — he wanted something that would wash him out. But you need to have a color that makes you pop, and so we actually dyed the fabric this beautiful ink blue ourselves. It highlighted his vampire white skin really well. I think it’s a great moment when we see him in these clothes that he’s worn from September to May. When he goes to sacrifice himself, he’s in disrepair. Robert and Chris wanted his shirt to have a rip across the chest, so that’s what we gave him. It’s really kind of tragic to watch him take off his shirt, because he really is sacrificing himself. It looks like he’s just giving up. He’s exposing himself and he’s completely vulnerable, and he just takes his shirt off and he drops it
at his feet with his eyes downcast. Then he gets attacked by Bella, who shoves him inside the doors. [Laughs] I don’t find it like a beefcake moment. It really is a moving moment, and I think Robert did a really amazing job for that scene.The tear across the chest was to symbolize that his heart was torn out when he thought he lost Bella?
Maybe. [Laughs] They just said, “Rip it across the chest.” I said, “Are you sure? No shirt’s gonna rip like this.” And they said, “Yes.” So I did it.
Why couldn’t he remain shirtless for the indoor fight scene? Why put on the robe?
Originally, the guards who grab him were supposed to be coming from the outside — that’s why they give him the robe. But the setting was changed, and they grab him on the inside.So why do they hand him this robe?
Because, quite honestly, it looks very cool fighting with this long, flowing garment, and it does hide pads, protect him.
Moving on to the wolf pack, was it easier to dress them since they were shirtless?
We still had to have a lot of fittings with them. You had to be very careful with where the shorts fall on the hip bone, we had to make sure everything sits at the same place when they run. Each individual actor had their own request, but we also had requests from the visual effects department, because if we had big, loose shredded shorts on when they morphed into wolves, it’s too much work and too many hours to magically get rid of that clothing on camera. They wanted the
shorts as close-fitting to the leg as possible, whereas the natural tendency of the guys would be to have something baggier so that they didn’t look like they were wearing hot pants. [Laughs] So if I knew they were going to morph, then they had tighter-fitting shorts, and if they didn’t have to morph, then we would give them something a little bit looser and longer. There were lots of Levi’s, American Eagle, Old Navy. Quite honestly, I tried to shop where I figured the wolves would shop. [Laughs] So we went to Wal-Mart. The general concept was that
anytime they went off to hunt, those shorts got destroyed because they’d change into a wolf. So they all had a secret little stash, buried in a hole somewhere in the forest, where they went running naked. [Laughs] That’s what we imagined. They had an unlimited selection of cut-off pants.
And did you or did you not pay special attention to where the sleeves of Jacob’s T-shirts fell on his biceps? Because job well done.
Absolutely. Everything was geared towards making sure that his arm muscles really showed. There’s a scene where he’s working on a motorcycle, and his muscles are really pulling against this plaid
shirt he’s wearing. He looks very strong and very built, and we tried to do the same with this T-shirts. There was no way since it was the same actor that we could show somebody that had grown like six inches. So it was Chris Weitz’s genius idea to tailor his clothes, to make the sleeves a little bit shorter, a little bit tighter — make it look as if he’d grown out of his clothes in a couple of months and hadn’t had time to go get new ones. We found T-shirt brands that fit him well with hardly any adjustments and just stuck with those in earth tones — The Gap, Banana Republic, American Apparel, Levi’s. We tried more expensive T-shirts, but he looked too pretty.
Tell me about dressing the Volturi.I knew that one scene involved the painting somewhere in the 1700s coming to life and them
walking into their chamber to don their robes.
It was really important to get the right shape and to ensure the audience that they were judicial robes because they are sitting in judgment. I did a lot of research into judicial gowns, I looked at a lot of religious paintings from the 1300s and 1400s. For each of the three prime Volturi — Aro [Michael Sheen], Caius [Jamie Campbell Bower], and Marcus [Christopher Heyerdahl] — we made the gowns the same shape in a black wool bouclĂ©, but with different trims.
Is there any significance to Caius’ scarf?
It looked pretty. [Laughs] It was described in the script that Aro was wearing a suit and it was the blackest of blacks because there’s a color palette power structure and the most powerful is the blackest. So I wanted to still have elements of black on Caius, but break them up a bit so Aro would appear blackest of all. There was so much gray and
pale stone in that Volturi chamber that I wanted to bring some of the red element from the religious festival outside into play in the interior. But it was also just a beautiful texture, a paisley wool pashmina-type shawl that I grabbed in Little India.
Let’s talk about the ladies. Rosalie and Alice?
There wasn’t much chance in New Moon to go into the
backstory of Rosalie, but she has graduated from high school. You only see her at home, and at home, she can dress exactly how she wants. Harking back to the era that she came from, one of the icons that [Nikki Reed] and I discussed was Veronica Lake. Sensual, glamorous, tieing in with the blond hair. Alice, of course, is still a high school student and she had a very successful fashion-y look from Twilight, so we wanted to continue with that. We wanted things that looked cute and feminine on her, paying more attention to detail with the little swing coat, arm
warmers, and a scarf at her neck. To me, all of this was an aide of covering up parts of her body that could potentially sparkle. When she was going to Italy, I just had in my mind Audrey Hepburn. You have this woman driving this Porsche, which was originally supposed to be a convertible, so I wanted a beautiful scarf around her head, big sunglasses, little capris. When I mentioned this whole Audrey Hepburn look to Ashley [Greene], she said, “Ohmygod, she’s my
icon!” The funniest thing I saw was Ashley standing next to her stunt double on the cobbled streets of Montepulciano, in Italy, both dressed identically. She looking beautiful, pale and pixie-like, wearing her headscarf, red gloves and Michael Kors jacket, and the stunt double the same, but with a generous Roman nose, and a heavy 5 o’clock shadow. Too funny.
What was your vision for Bella’s look?
I think that the previous designer really successfully captured the essence of this girl who was a little bit misplaced and ill-prepared coming from Arizona to the Pacific Northwest. I wanted to
continue the look that she was a very practical girl. She didn’t dress to
entice, she threw on a jacket if the weather was cold, she layered up because she probably gets colder than the average girl from that area. In discussions with Kristen [Stewart], she also wanted to look a little bit more mature and put together. At the beginning of the film, when she’s happy and in love with Edward, she wanted to be linked colorwise to his world, the cool tones. When he leaves her, she kinda falls into disarray and gets sloppy and just throws on any old thing. But the any old things that we threw on her were in the earth tones [of Jacob's world]. We didn’t bring back her cool color palette until she was
encountering Edward again.
What piece of Bella’s New Moon clothing do you expect everyone to want?
There’s a green shirt from Boy by Band of Outsiders that she wears at
the end of the film in Italy that a lot of people seem to like.
In the end, which character did you take the biggest risk with?
Laurent. Chris wanted both Lauren and Victoria more elegant,
less rock ‘n roll. Laurent had a leather jacket and really cool pants and was barefoot, and I put him in a suit and cool shoes. [Laughs] We made the suit, but I would say my inspiration for Laurent would have been Alexander McQueen. And I didn’t go as far as I wanted to go.
There was this incredible mohair long plaid coat down to the ground, but it was too risky. It was going to end up looking too campy. The point with these bad vamps is that they are scavengers, so they will just put on their most recent acquisition. So he just found somebody with a really cool suit in downtown Seattle. [Laughs]
Last question: What can you tease about the costumes in Eclipse?
We go back to the 1700s and do a complete Quileute tribe. I had to go to museums and pour over clothing that was dug up from burial sites, and I went into diaries of sailors to read what their first encounters were with the Indians on the Pacific Northwest coast. Then we did vampires from the Civil War era, then we did the 1930s, then we did our contemporary world, then we did fantasy Volturi flying over on a jet to Forks, Washington. Then we did an army of vampire newborns. It’s pretty cool stuff.Source Entertainment Weekly
New Blog: Tell TwiGurl
Saturday, November 28, 2009
Happy Late Birthday To Peter and Billy!
Five Facts About Eclipse...The MOVIE!
Fact #1: It's Darker
The brand new poster for Eclipse (above) hints at a darker tone with its brooding storm clouds. With 30 Days of Night director David Slade at the helm, it's unsurprising. "Every movie is different because we work with a different director on each one, which I love," Taylor Lautner tells RT. "David Slade is perfect for the third film because it's darker. Eclipse was my favourite book."
Ashley Greene, who plays vampire Alice, tells RT that Slade isn't just a prince of darkness. "David is actually hysterical," she laughs, "He has such a dry sense of humour that sometimes you don't know if he's kidding or not. Eclipse will be amazing because he has made it far edgier and more dramatic. It's going to look very cool."
Fact #2: There Will Be Less "Love Story" and More "War"
"Eclipse isn't as intimate as Twilight or New Moon," Robert Pattinson explains to us. "We're at war, so I get to interact with more characters, not just Kristen. You'll also find out more about the other members of the Cullen family. It just feels bigger." But -- fear not, Twihards -- that isn't to say the love story is cast aside altogether. "New Moon set up a love triangle with Bella, Edward and Jacob," says Lautner. "So we explore that further in Eclipse. It's a tough situation for all of them because Bella is torn between two guys, Jacob can't get the girl that he loves and then there's Edward, with all of his issues."
Fact #3: The Werewolves Will Crank Up the Sex Appeal
"We all know the appeal of the vampire family," says Nikki Reed, who plays vampire Rosalie. "But the werewolf boys are on a whole different level. They interact with a youthful, playful, comfortable warmth. It's very sexy."
As for Pattinson, he admits that his personal jealousy about Taylor Lautner's newly-ripped physique actually comes in handy for the role. "In Eclipse, Taylor and I have lots of scenes together where we have to be jealous and petty with each other," he says. "So it helps that I actually do feel inadequate when I see his body, especially because he's younger than me. He fulfills every criteria of what teenage girls want, physically, in a guy. I felt like a had to prove myself against him."
Fact #4: There's More Action
"Filming Eclipse actually changed my life," says Nikki Reed of the arduous training regime the cast had to endure. "I have never been so fit -- this is the first time in my life I have actually had a bicep. It's bizarre to compare how we look now to how we all looked in the first movie. The entire cast turned up on set for Eclipse looking super-buff."
New cast member Bryce Dallas Howard tried to play a prank on the crew during one stunt, but she didn't count on Pattinson's awkwardness. "We had a fight scene where Bryce had to grab my hair," he laughs. "So she took a clump of hair from my stunt double's wig and was going to pretend she had pulled it from my head. She told me to scream and storm off set, but it was so embarrassing. She had this huge clump of hair in her hand, and I was like 'oww,' really unconvincingly."
While the rest of the cast were having fun with stunts, spare a thought for poor Taylor Lautner. "Eclipse is a lot more physical for my character," he explains, "but any time I have any kind of action, I'm a wolf, so it's all done with CGI. It's a bummer."
Fact #5: The Ending Will Be Nicely Set Up For a Fourth - And Perhaps Fifth - Film
There are four books in The Twilight Saga: Twilight, New Moon, Eclipse and Breaking Dawn. But Ashley Greene gave RT the strongest indication yet that there might be five films. "We have finished filming Eclipse and one would assume that, if New Moon does as well as Twilight, then we'll start filming Breaking Dawn next year," she says.
"The only thing is, Breaking Dawn is a very large book so it would be a really long movie. We're thinking they might decide to split it into two parts, like they did with Harry Potter. Either way, we need to get on with shooting them because, unlike Harry Potter, vampires don't age. So we all need to look the same!"
I can't wait! Finally, they're giving us something about whether or not there will be a Breaking Dawn! So, everyone go out to Eclipse and make it the best or no Breaking Dawn, I guess. And, no one wants that! David Slade, hopefull he'd do an awesome job because I want my romance and my action!
Taylor Talks About the Rumors of t2
'New Moon' star Taylor Lautner has recently spoken out about rumors the he is currently dating Taylor Swift. Lautner describes Swift as simply an "amazing girl".
The couple originally met on the set of 'Valentine's Day', but
rumors didn't begin until October linking the two romantically when Lautner was spotted at Swift's concerts.
Lautner would neither confirm nor deny the relationship when asked by Rolling Stone. "We got along great," he said. "We instantly clicked. And she's - she's an amazing girl. Aside from being beautiful, she's extremely funny, charismatic and fun to be around, so we definitely get along. We're close."
Swift has also hinted at a relationship with Lautner during an interview on 'The Paul O'Grady Show.' When the host asked Swift if there was any truth to the rumors, Swift replied, "Well, what do you think? Boy, you are direct aren't you?"
O'Grady continued,
"Well we just want to know you are being looked after and that he's good enough for you."
"I'll have to tell him that then." Swift replied.Hopefully this will all be resolved soon, like Robsten! _^
Interview Round-Up
Lopez Tonight
LA Premiere
Moviefone
The Today Show
Regis and Kelly
Conan O'Brien
Jimmy Fallon
Jay Leno
David Letterman
Ellen
....That's a lot! Hope you guys love 'em all! Rob is such a dork in real life! Love him!
Friday, November 27, 2009
Taylor Will Host Saturday Night Live
Get ready girls!
Via Run Away With Fate
Love You PFach
Here's a Breaking Dawn spoof with Peter. I love that man to death!
~TwiGurl
Wednesday, November 25, 2009
TwiCast Show Appearances
Everyone have an amazing Thanksgiving and I will try and blog tomorrow! Go Macy's Parade!
~TwiGurl
Tuesday, November 24, 2009
Monday, November 23, 2009
My Own Eclipse Trailer (Made with ALL New Moon Footage)
Okay so my friend said I couldn't make an Eclipse trailer with only New Moon trailer footage. So, here's my tongue-sticking out proof that I can! It might not be as good with a lot of other footage but I did it! So, there, Eric, I did!
Tell me what you all think!
~TwiGurl
RPattz: Q and A With Time Magazine
Here's the entire article:
You took on an edgy vampire movie and it's become this. Did you know what you were signing up for?
I had no idea it was going to be like this. I really had no idea until ...
I guess I still don't. The time that it hit me really was when we were shooting
in Italy and the emotional reaction — it wasn't just screaming. It was like
people were so intently listening and watching. After every take there was
polite applause. And it wasn't hysteria. It was literally devotion to the
characters. It was amazing. I haven't felt that in any other situation.Casting Edward was crucial to the franchise. What did Catherine Hardwicke see in you?
I don't know. I was a little intimidated by Kristen [Stewart] in my
audition. So I played it like a guy who is beating himself up a lot about
everything. I don't think anyone else did it like that. I think they
concentrated on the confidence aspect. If you read the book, you know he's the
perfect man, ideal man. If you're a guy, you have certain ideals about what you
think is attractive. And that's why I didn't go into it for ages, because I
thought I'd end up being silly in the audition. I'd be posing. I guess I tried
to ignore every aspect of the confident hero of the story. And I played the
extreme opposite. It didn't end up being that in the film.If they had cast anyone else as Edward, would the franchise have been as successful as it is today?
I honestly don't know. No matter how famous I get as an individual, it's always evened — or even surpassed — by the fame of Edward Cullen. That's got to mean something. I don't mind that. That's just the way it is.
Why are America and the world so mental about it?
I was just in Japan, but when I first went there in February, the people who went to the fan events there were mainly people who went to American schools. This time it was an entirely Japanese audience. No one could really speak English, but they
reacted in the same way as they have around the world. Even the distributor was
saying, Japanese audiences don't react like this. And they were stunned by the
whole thing. There must be this weird, primal thing in people that they react
to. There are so many love stories that come out. So many vampire stories that
come out. Even the load of vampire stories coming out now have the exact same
story line. This doesn't have the same reaction. I think it's all about being
part of a club. People used to say it was a guilty pleasure. But I don't even
think it is that anymore. I think people genuinely appreciate that they are part
of something.
How can it continue at this level?
I have no idea. It kind of feeds on itself by the looks of things. It seems to have gone from the beginning of this year until now. I was just talking to the head of the studio
who said they are only 25% through the campaign for New Moon. And the tracking
on the movie is ridiculous. Even random celebrities are asked, What do you think
of Twilight? It's insane. I remember saying at Comic-Con last year that I didn't
know where it could go from there. I didn't know how much bigger it could get. I
guess this time they are getting guys to watch it. Guys were the only other
place left to go.
Yes, man is the Twilight growth market. They shoot the movies very quickly for a lot of reasons — momentum for one, but also because vampires don't age. Does that throw pressure on you to, well, look exactly the same?
I don't really think about that. I think I definitely look older in this one. But then I look younger in the third one, which is just weird.
A whole generation will remember you as Edward. You're a generational crush. Is that hard to live up to or difficult to accept?
There's no living up to it. I think the major fear is just fighting
too hard against it. Most people who have a downfall from a like situation is
when they do try to fight, and fight and fight: I'm not this teenybopper person,
blah, blah, blah. Even if a lot of people see me and the franchise as like that,
I never have, at any point. But I don't feel the need to fight against it. I've
never tried to pander to any kind of audience. I've tried to make the films as
intelligent and uncheesy as you could. And I've tried to make them the best they
can be. I've never thought about it any other way. So I hope that pays off.
A lot of celebs use disguises to escape their bubble. What's been your worst?
In Vancouver, shooting New Moon, I tried something. They have this thought that no one there wears hoods except for problem people. It's the only city in the world where hoods are not fashionable. It's like if you're wearing a hood, you're going to mug people. So it's a boring disguise, but it worked when I wore a hood. And then I'd sort of spit on the ground a little bit and do a little bit of shaking around as you're walking. Everyone moved around to the other side of the street.
Can you go out of the bubble?
You can go out. The only difficulty is when there are people waiting outside the
exits where you are going. You will get followed. It's the following that's the
worst part. If it's just getting a photo taken outside the exit, that would be
O.K. But it's the following that takes away your freedom.
Rob is such a dork!!! And, I love him to death!
~TwiGurl
Sunday, November 22, 2009
Steph Answers You
What was your favorite thing about Chris Weitz and how was his interpretation of the books different from Catherine Hardwicke? - Mira N.
My favorite thing about Chris Weitz: everything. Sounds hyperbole-ish, but he's really that amazing. If you follow along on some of the cast interviews you'll hear the same thing over and over. We all adore Chris. I would have to say that my very favorite thing about Chris as a director, coming from my unique position, is his passion for being true to the source material. He really immersed himself in the Twilight world and came to the set with the feel of it already in his head. We were very much on the same page. Second thing, he listens really well—to everybody, cast and crew.
In comparing New Moon to Twilight, I would say that the biggest difference in style is that Chris is more classic while Catherine is a little more edgy and modern. I wouldn't want both movies to be the same, though. I like seeing different interpretations. After all, no two people see the same thing when they read a novel. I enjoy seeing that visually.
After seeing Twilight the movie you mentioned that you wish you had thought of Bella catching a glimpse of Edward watching her sleep and thinking it was only a dream. Are there any new moments in the New Moon movie that you thought...I wish I had thought of that? Miss having you around the fandom, Nicole B. (Cocoa) Crestwood, KY
Hey Cocoa! I miss you guys, too! Hope you're well!
New Moon stays closer to the novel, so there aren't a lot of scenes that aren't closely related to the book. I am a little sad that my action movie—Crosshairs—is so generically titled. I like the name of the action movie they used for the film (they couldn't use Crosshairs because there is a movie named Crosshairs somewhere out there). It makes me laugh every time Kristen says it.
Also (and I don't consider this a spoiler because you've seen the trailers) there is a bit of a fight sequence in the Volturi tower now that isn't there in the book. At first, I had some resistance to this idea because in my mythology, if you start a fight with the Volturi, your story ends right there. It would have been kind of a bummer to have Edward, Bella, and Alice slaughtered in Volterra and no happy reunion scene (and no Eclipse or Breaking Dawn). But I worked with Melissa Rosenberg (the screen writer) and Summit until we came up with a solution that made sense with the story but also gave them the visual action they needed. And now that it's all put together and beautiful, I love it and kind of wish Felix had gotten his moment in the book.
Hi Stephenie! Texas LOVES you!!! In staying true to the novel, I'd like to know if there were any scenes missing from the original screenplay that you insisted be in the movie?? Thank you SOOO much!!!! -Trinity in Fort Worth
Sort of. In the original screenplay, Jacob's visit to Bella's room that one night didn't exist. The necessary information was still there, it was just scattered through a few other scenes. I really missed that scene, but change (and cutting!) is a part of the adaptation process—especially when you write really long books—so I was prepared to suck it up. And then Chris Weitz felt like we needed that scene, too, and he wrote up a beautiful version I love. And we all lived happily ever after.
I'm curious about whether or not you would have liked to write the screenplay for New Moon or any of the movies? Melissa has done great so far, but do you think the movies would have been any different if you hand a bigger hand in the screenplay? - Colleen
I don't think I'd be any good at adapting my own books. As you can tell, I like to write long stories. I do actually cut a lot in the editing process (Twilight was ten thousand words longer in the rough draft form), and what stays all feels absolutely vital to me. I just can't look at it objectively. I think I'd be better at adaption if I had some distance from the work. So yes, the movies would be different if I'd written the screenplay—they would be six hours long, which might sound great to some people, but as such they never would have been made.
Hi Stephenie - What is your favourite scene in New Moon the movie? - Laure
I can't really choose just one. I love so many things. Bella's and Edward's first conversation in the parking lot...the painting...Jessica's monologue...the scenes in Jacob's garage...the first time you see the werewolves!!...Jacob in Bella's room (thanks, Chris!)...the underwater moment...what you see while Thom Yorke's amazing song is playing...everything in Italy...and I could go on. It's all so good.
Hi Stephenie, I know that your writing is inspired a lot by the music you listen to, so my question is how much say did you have in the music that was picked for the movie/soundtrack? Thank you! - Marci P.
Not a ton. I had a short wish list, and I got one wish out of the four, and that's really a lot when you think about it. My answered wish: a Muse song. My wishes that were not granted: a Blue October song, a Marjorie Fair song, and a Motion City Soundtrack song. All of these artists were a big part of the New Moon writing process for me, and I would have liked to see them included, but in the end, the soundtrack is truly amazing, so I don't have any complaints.
Do you make any appearances in the New Moon movie? - Mandy, Captain of Official Team Jacob
Nope. I felt really awkward doing the first one, and I still have to cover my eyes for that part of the movie. I decided this time I didn't want to do anything like that, and it never came up, so problem averted!
What do you think about the casting of Robert Pattinson as Edward, i.e. does he look like you expected Edward to look like and does he portray the right emotions? - Carly, Captain of Official Team Edward
Initially—as in when Gillian (the producer) called me and said, "So, we're going to cast this guy, Robert Pattison. Go google him and see what you think!"—my opinion was that Rob would do a good version of Edward physically. Not the Edward I see in my head, of course, but a good and interesting portrayal. There's something otherworldly about his face, I thought as I watched him in Harry Potter and checked out the pictures on line. If vampires really existed, that's the kind of face you might wonder about, right? So I was happy with Catherine Hardwicke's choice, because it's not like we were going to find someone who looked like the person in my brain.
I continued in this same opinion for a while. I met with Rob a few times and was impressed by the amount of thought that he was putting into the character (though we still don't entirely agree on who's got Edward's emotional state right—Rob contends Edward is more depressed than I think he is) and I was excited to see what his version of Edward would be like. Cut to a few weeks later, when I headed up to Portland to watch the filming. And then Catherine said action, and Rob shifted into character and my jaw dropped open.
Suffice it to say, he really nailed it. He's not playing a version of Edward, he's playing Edward. There is still quite a difference between Rob's Edward and the Edward in my head, but there are moments when they look eerily similar. I'm still not sure how he does it, but I'm glad he can. As for emotions, I think he does a great job.
Of course, a lot of the credit for this goes to Kristen as well. She contributes the other half of that Bella-Edward vibe so amazingly well. I've been on set through three movies now, and I still thank my lucky stars every day that she signed on to this franchise.
How did you come up with the Twilight character names, were they random or did you have a reason behind them? - Carly
I'm not a huge research junkie, because I'm always more into creating the fantasy than the reality, but names are one of the things I do spend some research time on. For example, for Jasper's name I searched roll calls for the confederate army in Texas. Both "Jasper" and "Whitlock" are on those lists, but not together. The name Cullen exists on seventeenth century English headstones. Other names I find by time and place of birth—I look through the most baby popular names from that year or census records from that city. Some things are more random; if I'm really stuck for a surname, I'll flip through the phone book. For Edward, I wanted a name that had once been very romantic, but had fallen out of use (See: Edward Rochester, Edward Ferrars). Bella was the hardest for me to name, because I needed a modern name but nothing seemed to encompass her personality. I tried a lot of things that didn't fit at all. In the end, having just surrendered the hope of ever having a daughter, I gave her the name I would have given one of my children if any of them had decided to be a girl.
Since many of us will not have the opportunity to visit a movie set, what part of film making was fascinating to you? Thanks again for the opportunity to ask questions! It is appreciated! Anny
The most fascinating thing about filming is probably just what a huge undertaking it is. I'm constantly stunned by the sheer number of people it takes, by the size of the sets, by the intricate planning necessary. It's surprising to me that given all the effort and expense necessary, so many movies even get made. I love the care that goes into the set design, and the amazing things they can build (like tower interiors and mountain tops). I love watching the actors make dozens of minute shifts for each take of a scene, so that the director has a variety to work with when he starts cutting it together. I love it when everything comes together just right and even on the tiny little monitor, with no music and no editing, you can see that something exceptional just happened. It's a cool process, and one I never expected to have the opportunity to be involved with.
Of course, being on set is not constant excitement by any means. It takes hours to set up for each different camera angle, and during those times, it's pretty dead. On the last set, a bunch of people learned to knit. It can be very slow.
I am curious, when you think of Edward and Bella, or read or talk about them, do you still picture the people from your dream? Or has your images of these characters changed over time, especially now after seeing your books adapted to film? Thanks! Danyeal J.
When I read the books or think about the characters in a writing scenario, I still see them they way I first did. I can still see exactly what they looked like in that first dream. When I'm reading the script, however, it's all Kristen and Rob and Taylor.
Why in the world is Edward's volvo now black in the New Moon? - Kim B.
This wasn't my call. Picky as I am about cars, if I'd been rounding up the vehicles for Twilight, they all would have been the exact makes and models I'd written about (especially that '53 Chevy!). I don't know what all is involved with choosing the cars—I know they have to be able to get their hands on several identical vehicles—but I can say that I like this Volvo—the XC90—better than the first one—the C30. In regards to the color, it's actually a dark silver, not black. And I enjoy the black rims quite a bit.
Dear Stephenie, Each director brings something different to the movie they are working on. Do you feel that by using different directors for each movie will take away from the continuity of the story? - Shannon
As I said before, I like having new styles for each story. I think it reflects, to an extent, all the millions of different versions that exist in the world—a different one for every reader. As for continuity, I think we're fine there. The actors bring the same characters into the new vision, and the backdrop of the location is consistent.
Will New Moon the movie have a lot of Edward in it or will it be like the book and he will be missing for a big chunk of it? - Patricia M.
Something I felt very strongly about was that Edward's absence was essential to keeping the feel of the movie consistent with the feel of the book. The story doesn't work without the missing hero. Chris was able to come up with a way to preserve that feeling while at the same time conveying the fact that to Bella, Edward is always present. It's more than just that Bella's audio hallucinations are now visual hallucinations; Kristen's performance revolves beautifully around that absence. Edward is absent for a "big chunk" of the movie, but he's always there, too.
What does Stephenie think about the change of Edward from an auditory to a visual hallucination? For me this was an integral part of the book in that it added to the longing for Edward. - Karen M.
I think this change is necessary for the visual format, and I also think it works really well. The longing is still there.
Dearest Stephenie, I was wondering if you had given the actors in the movie some kind of advice to get a better insight to their character in the movie. Thank you so much for everything! You're amazing! - Lucila S.
I was able to give Rob the first half of Midnight Sun to help him prepare for the first film, and I feel like that manuscript is basically a guide to Edward. Of course, Kristen gets Bella's first person perspective in all the books. I have discussed most of the characters with the actors. I'm always happy to answer any questions, and it's fun to hear some of the backstories they come up with. I know Edi Gathegi has a fairly elaborate Laurent history in his head, and many others do the same thing. I like that they get into the roles so deeply.
Is there going to be a Breaking Dawn movie? If you are not sure of that, then do you wish there is going to be one? - Jamie C.
At this point in time, we're in talks. I would love to see BD made if it could be made well. It's a little bit trickier than the others.
First, thanks for the amazing books! Now, with the question: If you could live one scene (for real) in the movie, what would it be? - Anna
I think a lot of the scenes that are exciting write or to read about or watch on the screen would be very uncomfortable to experience first hand. The ones I would want to live would be the quieter scenes. In New Moon, probably the only scenes that would actually be fun to live would be Bella's birthday up to the papercut, and the night after Italy (though that one starts out pretty emotionally painful, too). Twilight, Eclipse, and Breaking Dawn all have a lot more "it would be cool to be Bella right now" moments.
I love your books, thanks for writing them. What was your favorite memory of writing new moon and filming new moon!! - Christina B.
I have a lot of favorite moments from both. In the writing, envisioning Volterra and putting Bella into that situation was very exciting. I loved spending time with Jacob's character. All the interactions with the boys in the pack made me smile. The reunion scene between Bella and Edward felt really good to write.
As for the filming process, my favorite memories are not exactly favorite scenes, because you don't entirely get a sense of the scene until you see it cut together. I loved walking into the Volturi tower for the first time. (Adding to that moment was the fact that it was also the first time I met Daniel Cudmore. Picture the scene: I'm in this huge white marble rotunda, just in awe of the sheer size and how good it all looks, when through the door walks Daniel in full costume. Six foot eight, tailored black coat, deep red eyes. Totally perfect and totally intimidating. It was great!) Another favorite memory of the filming was watching Michael Sheen work. Michael is a staggeringly talented actor. It was an education just to watch his process.
I was wondering, in the trailers for New Moon, the werewolves all have tattoos on their right arms. What does that stand for? It wasn't in the book, so I wasn't sure. - Carissa S.
Like the Cullen crest that Catherine invented for the first movie, I believe the tattoo is just a visual sign of solidarity for the pack.
Do you think Taylor Lautner does a good job of portraying Jacob's smart alec side? Taylor seems so sweet, especially in the first movie, and I like to think of Jake (esp werewolf Jake) as a tough guy with an attitude, who sometimes let his nice side slip. Thank you! Larissa
Taylor is going to surprise you. He's wonderful as the sweet kid, but even better as the angry werewolf. The kid can act.
I was wondering what made you choose Italy for the home of the Volturi? Is there a special meaning about Italy in your life or was it a random setting? Thanks :] - Kerry K.
I chose Italy because I needed a place with a really long history. Choosing Volterra itself was a strange thing. I wrote the whole Volturi scene before I'd picked a location for it. For the first time, I was planning to create a fictional city, because at this point, I was starting to realize that people were actually going to read this book, and I was nervous about what the real life citizens of Forks would think, and more especially what the real life people of La Push would think—I'd taken some rather big liberties with their fictional history, and I wasn't sure if they would find it amusing or irritating. So, to avoid similar moments of panic, I decided to set my clan of ancient ruling vampires in a made up place. I was going to call this place "Volturin," and I knew it needed to be located in Tuscany about an hour or two from Florence—I'd already written the drive from the airport. I'd also already written my descriptions of the plaza and clock tower and Volturi turret. So I pull up a map of Tuscany, trying to decide if Alice should drive north, south, east, or west, and look at that—there is a city named Volterra just about an hour from Florence. So I google image search Volterra, and the very first picture that comes up is the Volterra clock tower. Chills. I called my sister (who'd already read about my fictional Volturin) and told her to go look at Volterra. She freaked, too, because she'd pictured it the same way, too. It was actually a rather creepy moment.
After that, I gave up the idea of creating a fake city and just hoped the people of Volterra did not mind a few vampires. When I went to visit a few years back, all the people I talked to were totally fine with the vampires—what had upset them was the fountain. They don't have one, and think their square is perfect without it.
Hello Mrs.Stephenie Meyer, I adore your books. My question is where did you get the inspiration to make Jacob Black a Native American? What is the whole back-story to Jacob being Native American? I too am native American [Navajo] by the way, therefore making me curious. Thank you very much if you answer my question or not, you still bring a great story to your readers around the world. - Kristine B.
There was a bit of random chance involved with including the Quileutes, but it was also about my personal fascination with Native American history. I picked Forks first, and at that point in time the Jacob character didn't exist. But around the same time that I realized it would be out of character for Edward to be able to admit that he was a vampire, I discovered the existence of La Push and started reading about the Quileute's unique history and culture. Jacob developed really naturally from that research, as a solution to my "how does Bella find out" dilemma and also as a way to enrich the mythology. If I hadn't always been very intrigued with Native American history, though, I don't know if the proximity of La Push would have resulted in Jacob's creation.
I love that you decided to skip over describing that first week (and the following months) after the break-up between Edward and Bella. It makes it that much more gut-wrenching because you truly feel like Bella was detached from herself and the world. I was wondering if it was your initial intent to leave that void there or did you edit anything out? Did you start by writing how she felt the next morning after Sam found her? I always wonder if it was just too hard to write for you. Thank you so much for answering these questions for us. Your books (The Host, too) have changed my life. --Eden S., Vancouver, Washington
This is how the blank pages came about: I never planned to write about the time immediately after Edward left. Originally, I just skipped to the one-paragraph preface to chapter four ("Time passes..."). It felt way too abrupt that way, though. I knew I didn't want to put those four months into words, because the words would never be as good as the reader's own imagination, but I wasn't sure how to make that transition feel right. So put some blank pages into the document to separate September from January. That felt a little bit better, but the passage of time still wasn't clear. I typed in the names of the months at the top of the pages, just playing around with it, so it looked like blank journal entries, and instantly felt a sense of rightness to that format. I think I tried it out on my agent first ("What do you think about having one-word pages, Jodi?") and she liked it. Then my editor played around with the formatting, putting the month names in the center of the page in caps, and that gave them more impact. We all loved it. So it was a process and not an immediate inspiration, but now it's one of my favorite things.
I am a 39-year-old member of the Older Women's Group (OWG) on thetwilightsaga.com. My question is, what lead you to the concept of IMPRINTING — in reference to the Wolf Packs future mates? Thank you for pouring your heart and soul into this series! I can't tell you how much happiness it has brought me! Sincerely, Stephanie R. - Atlanta, GA
Imprinting was inspired by two different sources: ducklings and dragons. Imprinting actually exists in nature, but usually between parents and their offspring. I saw a nature documentary about ducklings imprinting on their moms and it always stuck with me. The other inspiration is Anne McCaffrey's dragon books (which, if you haven't read them, do so now! Start with Dragonflight). In her mythology, humans and dragons bond so tightly that if one of them dies, the other either suicides or goes mad. They love each other with an absolute and unreasoning love that never falters or changes. I was always captivated by this concept, and I wanted to explore that kind of life-changing and compulsory relationship.
While writing the books, were you ever unsure of whether Bella would choose Edward or Jacob, or did you always know she would end up with Edward in the end? - Samantha V.
I wrote New Moon and Eclipse after I wrote Forever Dawn, which is pretty much the rough draft of Breaking Dawn. So I always knew Bella's destiny was with Edward, and as her relationship with Jacob evolved and deepened through the course of the middle novels, writing about it was sometimes painful. Even knowing Jacob's eventual happy ending, it was hard to put him through all the heartbreak. I do know what would have happened if Bella hadn't jumped off the cliff that day, but I always knew that was a could-have-been that wasn't the right way to go.
Question: Lets say Bella did go to college... Later on in life what profession do you imagine for her?? - Abigail
I always imagined that Bella would someday teach. She really admired that one part of Renee's personality—Renee may be dippy, but she's a great teacher and the kids love her—and I saw her taking her love of books in that direction. She would have taught older students, though. High school or college. Maybe she still will—in night school.
Out of the entire series, to you what is the most romantic moment between Bella and Edward? Why? - twilight-fan
For me, it's always been the last two pages of Breaking Dawn. It's the culmination of so much that's happened between them, and such a happy, satisfying moment for me.
My question for you is.... are you at all surprised by the variety in age of your readers? I am 32 years old and absolutely loved your books, and I know I am not alone, in many discussion groups I have found there are 30, 40, even 50 somethings reading twilight. Thanks and keep writing! - Amy B.
Because I wrote Twilight for my twenty-nine-year-old self and not for a future YA audience, it always made sense to me that women my age would get it the same way I did. Are you ever too old to remember falling in love for the first time?
There are many of us 30+ that enjoy (well we are actually obsessed with) the entire Twilight series! Is there anything that you do to help you escape reality momentarily? - Michelle P., Oklahoma
Reading was always my favorite escape. I read a lot of fantasy; I like spending time in worlds that don't exist. However, writing is now my best escape. For me, it's more fulfilling and takes me farther away from the real world than reading does.
You have such a great taste in music. What would be your ultimate karaoke song? - Justina
This one changes a lot. Today, I'd want to sing along with Metric, probably "Sick Muse" or "Front Row."
If you had to choose, would you rather be a vampire or a werewolf? - Kaitlin T.
Werewolf. I like being able to change my mind, and the werewolves always have the option to go back to "normal."
Are you writing any other books right now? - Kershia
One of the weirdest things for me about success is how it sucks away your time. I'm successful because I write books, but that very success takes all my writing time! It's very frustrating. I'm just itching to get back into a fantasy world right now, but the real world won't let me. I thought this would be a writing year, but unless you count emails as writing, it didn't work out that way. I was able to do a few smaller things that will show up here and there—an extra chapter for the release of The Host in paperback, that kind of thing. I've really worked to clear my time, but that is a slow and ongoing process. Of course, another aspect is that I am more burned out by the last five years than I even realized.
My question: Is Stephenie Team Jacob or Team Edward? Please add that "I am a huge fan. Xoxo, Jenny"
I am Team "You Don't Have to Choose When it's Fiction."
Hi Stephenie! :) Of course, I love the Twilight saga, but I was also blown away by how beautiful and unique your other novel, The Host, was -- so I was wondering: do you have any plans for more books not related to Twilight? Thank you so much! :) Kelly <3>
I'd like to eventually have The Host be part of a trilogy. That's one of the projects I'd really like to get to in the next year or so.
To address the many, many questions about Midnight Sun:
I've found that there really isn't any answer I can give that changes the substance or tenor of the myriads of requests, pleadings, and demands I get for Midnight Sun to be finished, so I feel a little silly answering that question at all. But it's the most popular question, so I'll take another stab at it.
I am not working on Midnight Sun now. I don't have a plan for when I'll get to it; I don't know now what the right time for it will be.
In your questions, there were some erroneous conclusions about the situation which I'll try to set straight. First, Midnight Sun is not finished and locked in a safe, waiting for me to be done angsting over the leak. If it were done, I would be throwing it on the bookstore shelves myself. I'd love to be able to give it to all the people who are anxiously waiting for it. Second, I am not upset about the leak. I haven't been for a long time; I was over it after about three weeks. Third, and most important, I am not trying to punish anyone. Not the persons who leaked it, not the people who read the leak, nobody. As I said, it would make me very happy to be able to give it to anyone who wants it.
So why the hold up? Because it's not finished and lying in a safe. It's not done, and finishing it is not a simple matter of sitting down in front of my computer and typing out the words; the words have to be there in my head to type out, and right now, they're not. I have to be in the zone to write any story, and trying to force myself into that zone is a waste of time, I've found. I'll get back to Midnight Sun when the story is compelling to me again. Just because people want it so badly does not make it more write-able; kind of the opposite, actually. I need to be alone with a story to write, and Midnight Sun feels really crowded, if you know what I mean.
People write for different reasons. I have always written to make myself happy. If I'm enjoying a story, feeling the creativity flow, engrossed in a world, then I write and I write fast. If I'm not into it, I can't write. I've never been someone who writes on demand and I can't imagine working that way. As cool as it would be to say to my favorite author, "You know, I'd really like to read a great book about a narwhal mafia. Write that for me, 'kay?" or even "I'd love a sequel to that last one," that's not how it works. How it works is that my favorite author writes a new book about whatever he/she is interested in. Maybe it takes a year, maybe it takes five. If it's something I want to read, I buy it or I check it out at the library. If not, I find something else to read. The end.
(All of this goes for writing about vampires in general, too. Vampires and I? We're on a break.)
I'm pretty sure this won't slow the pleadings and the demands, but I didn't want you to think I was ignoring the question.
In the meantime, there are so many great books out there. I've got some recommendations on my site, and any librarian would love to show you more options. Same goes for independent bookstore employees. Ask for guidance, and they will fill your arms with awesomeness!
So, there you have it TwiHards! We have to....wait! Sorry, guys! I wish we could change her mind but even WE can't change her mind!